1) The details mentioned in the opening sentence of the passage summon to mind a scene that could best be described as A) desolate B) intricate C) prehistoric D) primeval 2) What can the reader conclude from the quote at the end of the passage? A) The story is being told late at night. B) Everyone else besides Marlow is actually asleep. C) Someone is offended by a point that Marlow has made. D) Marlow has been talking to a mostly sympathetic audience. 3) "And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect." From this portion of the passage, the reader can infer that Marlow feels the jungle to be A) disconcerting B) relaxing C) seductive D) violent 4) The final paragraph of this passage communicates the idea that A) the characters are sure to fall in love. B) the sea is much more savage than the land. C) the characters will likely face danger in this new setting. D) the characters are likely to have trouble getting along with one another. 5) "Clayton remonstrated against the inhumanity of landing them upon an unknown shore to be left to the mercies of savage beasts, and, possibly, still more savage men." What is subtly implied through the figurative phrasing of this sentence? A) The people are likely to be more dangerous than the animals. B) The animals are likely to be more dangerous than the people. C) The people and animals are even more dangerous than they appear. D) The people and animals are really more dangerous than they appear.
1. B 2. B 3. C 4. A 5. D
Heart of Darkness & Tarzan of the Apes Joseph Conrad & Edgar Rice Burroughs Heart of Darkness, by Joseph Conrad "Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day's steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily. But I felt it all the same; I felt often its mysterious stillness watching me at my monkey tricks, just as it watches you fellows performing on your respective tight-ropes for—what is it? half-a-crown a tumble—" "Try to be civil, Marlow," growled a voice, and I knew there was at least one listener awake besides myself. Tarzan of the Apes, by Edgar Rice Burroughs On the fifth day following the murder of the ship's officers, land was sighted by the lookout. Whether island or mainland, Michael did not know, but he announced to Clayton that if investigation showed that the place was habitable he and Lady Greystoke were to be put ashore with their belongings. "You'll be all right there for a few months," he explained, "and by that time we'll have been able to make an inhabited coast somewhere and scatter a bit. Then I'll see that yer gover'ment's notified where you be an' they'll soon send a man-o'war to fetch ye off. "It would be a hard matter to land you in civilization without a lot o' questions being asked, an' none o' us here has any very convincin' answers up our sleeves." Clayton remonstrated against the inhumanity of landing them upon an unknown shore to be left to the mercies of savage beasts, and, possibly, still more savage men. But his words were of no avail, and only tended to anger Michael, so he was forced to desist and make the best he could of a bad situation. About three o'clock in the afternoon they came about off a beautiful wooded shore opposite the mouth of what appeared to be a land-locked harbor. Michael sent a small boat filled with men to sound the entrance in an effort to determine if the Fuwalda could be safely worked through the entrance. In about an hour they returned and reported deep water through the passage as well as far into the little basin. Before dark the barkentine lay peacefully at anchor upon the bosom of the still, mirror-like surface of the harbor. The surrounding shores were beautiful with semitropical verdure, while in the distance the country rose from the ocean in hill and tableland, almost uniformly clothed by primeval forest. No signs of habitation were visible, but that the land might easily support human life was evidenced by the abundant bird and animal life of which the watchers on the Fuwalda's deck caught occasional glimpses, as well as by the shimmer of a little river which emptied into the harbor, insuring fresh water in plenitude. As darkness settled upon the earth, Clayton and Lady Alice still stood by the ship's rail in silent contemplation of their future abode. From the dark shadows of the mighty forest came the wild calls of savage beasts—the deep roar of the lion, and, occasionally, the shrill scream of a panther.
@Gdeinward
1 C 2 I dont see the quote 3 D 4 C 5 ur correct
2. "Try to be civil, Marlow,"
@Gdeinward
2 is a
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