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Design 15 Online
OpenStudy (anonymous):

Define the terms overlapping and foreshortening. How has Andrea Mantegna used these two concepts to create the painting above entitled, The Lamentation over the Dead Christ? 3-4 sen

OpenStudy (anonymous):

OpenStudy (anonymous):

@wishuponastar13 help me please

OpenStudy (anonymous):

@lilkittykat36 help ^.^

OpenStudy (anonymous):

@jhonyy9

OpenStudy (anonymous):

@sunnyshores

OpenStudy (anonymous):

@Ryaan

OpenStudy (anonymous):

@Opcode

OpenStudy (opcode):

I am not sure about overlapping but foreshortening is seen quite a bit. From the view point of this picture, we can see Christ his body is seemingly swollen and wrinkles highly exaggerated. (This is foreshortening.)

OpenStudy (anonymous):

I am sorry I was not online... I have no idea though. I wish I could be of help.

OpenStudy (rbrecht):

Overlapping is when one part of a shape or form is placed in front of another, Foreshortening is a technique that make a form appear to move back in space. In Mantegna’s piece, The Lamentation over the Dead Christ, he used overlapping to provide the depth to the room, and to show the image of Christ on top of the bed. By using foreshortening, the artist was able to make the body of Christ lay horizontal, and therefore receding into the background. This technique also allowed the other figures on the left to be positioned specifically by his waist, while his chest and head appear behind the figures. Mantegna created great depth using these techniques.

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