Question

which of the following would be most likely to publish an article titled "Analyzing minor triads in the works of C.p .e bach

Answer 1

@Mertsj

Answer 2

@Compassionate

Answer 3

Options are
A music Critic
a music theorist
an acoustician
an ethnomusiciologist

Answer 4

@whpalmer4

Answer 5

@e.mccormick @ganeshie8 @wolfe8 @Evictu_FB @april115

Answer 6

PLEASE I need help. I only have an hour on this ..

Answer 7

Well who is that guy?

Answer 8

Idk if its even a guy

Answer 9

Look em up

Answer 10

its B

Answer 11

u got it crystelle

Answer 12

R u sure its B?

Answer 13

Can u help with more pleaseeeeeee

Answer 14

yes its b and ok

Answer 15

Judging from the titles , which of the following is not an example of program music

Answer 16

Fugue in G minor
Carnival of the animals
The battle of vitoria
the sorcerers apprentice

Answer 17

hold on

Answer 18

Nvm its c

Answer 19

Extended techniques provide composers with more possible ___

Answer 20

timbres
rhythm
texture
ensemble

Answer 21

@Reaper534 @Rockiee @orion92898 @undeadknight26

Answer 22

o_0

Answer 23

@ganeshie8

Answer 24

Extended technique is a term used in music to describe unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.[1]
Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of col legno in his Symphonie Fantastique is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques.
Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and overblowing into a wind instrument without a mouthpiece, or inserting objects on top of the strings of a piano.