Question

@SyedaLovesPie

Answer 1

@iPwnBunnies

Answer 2

First movement

Answer 3

Mid rush is a little off... it's hard to render that tempo lol

Answer 4

Omg, this is really good :o Everything you do is good soo yeah haha. xD

Answer 5

*great.

Answer 6

Mehh

Answer 7

It's good. The middle was kinda with some sharp sounding stacatto, I can't even describe it. My music terms are wandering away.

Answer 8

Tempo picked up. It shows the frustration. I was gonna change the key also but It would have been too much for the resolve back to the 16th.

Answer 9

Ok.

Answer 10

Sigh... @urb0b

Answer 11

Removing after this. ^

Answer 12

the left hand needs more chord structure to keep the steady balance of low notes. in the beginning, it's just melody for a long time. need more low notes for a fuller sound. + melody doesn't carry long enough, isn't varied, i can't exactly determine anything particularly catchy.
other than that great job. you've much potential and much to work on

Answer 13

It's in classical sonata form, it's not suppose to have a "full" chord structure or varied melody in this particular movement. This is just the "Introduction" phase. The next movement (exposition) is the "body", where it becomes more complex and varied. It's also transposed to E flat major, so it's automatically pushed an octave up. I can always transpose a few octaves down. I'll show ya what it sounds like. Give me a few.

Answer 14

However, some sonatas (like most of Mozart's) are basic:

Allegro Moderato
Adagio
Presto

Answer 15

sonatas are built off of chords.......,,,,,,,,,,,,,,,,comma

Answer 16

Yeah, but they have a certain form. I'm using a modified form of:
Andante Moderato
Adagio
Allegretto

Example of my Fav. Mozart Sonata: http://www.youtube.com/watch?v=fRgxY8VUOz8

He used:

1. Allegro maestoso, common time
2. Andante cantabile con espressione, F major, 3/4
3. Presto, 2/4

His Intro is very well developed. It was very common for composers of that time era to use the same or similar form.