Question

It often happens that one or another of my friends stops before a red chalk drawing in my study and asks me where I ever found so lovely a creature. I have never told the story of that picture to any one, and the beautiful woman on the wall, until yesterday, in all these twenty years has spoken to no one but me. Yesterday a young painter, a countryman of mine, came to consult me on a matter of business, and upon seeing my drawing of Alexandra Ebbling, straightway forgot his errand. He examined the date upon the sketch and asked me, very earnestly, if I could tell him whether the lady were stil

Answer 1

He examined the date upon the sketch and asked me, very earnestly, if I could tell him whether the lady were still living. When I answered him, he stepped back from the picture and said slowly:

“So long ago? She must have been very young. Was she happy?”

”As to that, who can say—about any one of us?” I replied. “Out of all that is supposed to make for happiness, she had very little.”

We returned to the object of his visit, but when he bade me goodbye at the door his troubled gaze again went back to the drawing, and it was only by turning sharply about that he took his eyes away from her.

I went back to my study fire, and as the rain kept away less impetuous visitors, I had a long time in which to think of Mrs. Ebbling. I even got out the little box she gave me, which I had not opened for years, and when Mrs. Hemway brought my tea I had barely time to close the lid and defeat her disapproving gaze.

What inferences can you make about this story, based on the happening hints?

Answer 2

I need help please

Answer 3

That the narrator and Alexandra Ebbling had a close relationship, and the narrator cared deeply for her.

Answer 4

thanks

Answer 5

Np. :)

Answer 6

can you help me with another one please?

Answer 7

Maybe, what's the question?

Answer 8

What grand irregular thunder, thought I, standing on my hearthstone among the Acroceraunian hills, as the scattered bolts boomed overhead and crashed down among the valleys, every bolt followed by zigzag irradiations, and swift slants of sharp rain, which audibly rang, like a charge of spear-points, on my low shingled roof. I suppose, though, that the mountains hereabouts break and churn up the thunder, so that it is far more glorious here than on the plain. Hark! -- some one at the door. Who is this that chooses a time of thunder for making calls? And why don't he, man-fashion, use the knocker, instead of making that doleful undertaker's clatter with his fist against the hollow panel? But let him in. Ah, here he comes. "Good day, sir:" an entire stranger. "Pray be seated." What is that strange-looking walking-stick he carries: "A fine thunder-storm, sir."

"Fine? -- Awful!"

"You are wet. Stand here on the hearth before the fire."

"Not for worlds."

The stranger still stood in the exact middle of the cottage, where he had first planted himself. His singularity impelled a closer scrutiny. A lean, gloomy figure. Hair dark and lank, mattedly streaked over his brow. His sunken pitfalls of eyes were ringed by indigo halos, and played with an innocuous sort of lightning: the gleam without the bolt. The whole man was dripping. He stood in a puddle on the bare oak floor: his strange-walking stick vertically resting at his side.

Answer 9

what inference can you make?

Answer 10

Uh..I'm not really sure, sorry..