What conflict does the line in bold most closely represent?
Shall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three-hours wife, have mangled it? But, wherefore, villain, didst thou kill my cousin? That villain cousin would have kill'd my husband: Back, foolish tears, back to your native spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. My husband lives, that Tybalt would have slain; And Tybalt's dead, that would have slain my husband: All this is comfort; wherefore weep I then? Some word there was, worser than Tybalt's death, That murder'd me: I would forget it fain; But, O, it presses to my memory, Like damned guilty deeds to sinners' minds: 'Tybalt is dead, and Romeo—banished;' *That 'banished,' that one word 'banished,' Hath slain ten thousand Tybalts.* BOLDED Tybalt's death Was woe enough, if it had ended there: Or, if sour woe delights in fellowship And needly will be rank'd with other griefs, Why follow'd not, when she said 'Tybalt's dead,' Thy father, or thy mother, nay, or both, Which modern lamentations might have moved? But with a rear-ward following Tybalt's death,
A. Man Vs. Man B. Man Vs. Self C.Man Vs. Nature D.Man Vs. Society
Which line is bolded..?
@dtan5457 the one with the* and bolded written next to it
Looks like man vs society. Banished, hath (third person), looks like tybalt is one person against a bunch of people.
thank you it was right! (:
yw
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