Question

==||WILL FAN AND MEDAL||==


Can someone tell me what "Diary of a Teenage girl" is about? :)

Answer 1

NO

Answer 2

DONT

Answer 3

no, shrek wazowski.

Answer 4

SPARE THEIR SOUL

Answer 5

;-;

Answer 6

NO ONE TELL SHREK

Answer 7

PLS

Answer 8

PLS TELL

Answer 9

;[

Answer 10

DO NOT

Answer 11

Look it up that's what google's for lol

Answer 12

*Dosen't fan or medal you firewolf*

Answer 13

NOOOOOO

Answer 14

DONT GIVE IT IDEAS

Answer 15

I'm scared ;-;

Answer 16

PLEASE DONT

Answer 17

Is it a virus or a hacker?
Scary movie?
Dirty movie like 50 shades of grey?

Answer 18

TELL

Answer 19

NEVER, I WILL SPARE YOUR SOUL

Answer 20

*Looks it up*

Answer 21

NO PLEASE

Answer 22

In 1970s San Francisco, a precocious 15-year-old (Bel Powley) embarks on an enthusiastic sexual odyssey, beginning with her mother's current lover (Alexander Skarsgård).

Answer 23

Not too bad

Answer 24

Sounds ok

Answer 25

DO NOT WATCH IT SEEMS INNOCENT BUT ITS NOT!

Answer 26

I swear to god if you watch it

Answer 27

XD

Answer 28

BREKFAST

Answer 29

DO NOT WATCH IT, ILL DO ANYTHING SO YOU DONT WATCH IT

Answer 30

I'm not gonna watch it just read about it

Answer 31

Thank god

Answer 32

XD

Answer 33

*sigh* Please for my sake do not go any further then that

Answer 34

Ok :3 *Watches Trailer*

Answer 35

NO

Answer 36

The Diary of a Teenage Girl is a 2015 American coming-of-age comedy-drama art film written and directed by Marielle Heller, based on the graphic novel The Diary of a Teenage Girl: An Account in Words and Pictures by Phoebe Gloeckner. The film stars Bel Powley as a 15-year-old girl who becomes sexually active by starting a relationship with her mother's boyfriend.

Answer 37

WELL YOUR WRONG

Answer 38

Wow.

Answer 39

YES ITS A MOVIE PLEASE DONT WATCH

Answer 40

Phoebe Gloeckner's work is hard to read. Which is not to say that she is inaccessible, because she isn't. Nor is Gloeckner impossibly erudite, ponderous, or dull. She certainly isn't untalented. The difficulty in reading Gloeckner comes in forcing one's self to face up to certain brutal realities, all of which are displayed in her work in the kind of unflinching, absolute detail that could be categorized as lurid if they weren't so honest and troubling.

Gloeckner's Diary of A Teenage Girl is a startling portrait of a young girl caught between childhood and adulthood during the death throes of the sexual revolution. After the togetherness of the '60s faded into the hedonism of the '70s, Gloeckner's protagonist Minnie, a thinly veiled version of the author, finds herself growing up in San Francisco. Her artist father lives on the East Coast while she and her sister Gretel live with their irresponsible mother.
As the novel opens, Minnie has been forced out of one private school and is starting another. She's bright but unfocused and emotionally unstable. She consistently wins awards and contests for her artistic abilities, but in other academic endeavors she flounders. At the behest of an English teacher she begins a diary for the entirety of the year of 1976.

The single unifying plotline of the diary entries is Minnie's relationship with her mother's thirtysomething boyfriend which begins not-quite-so-innocently and quickly evolves into a sexual liaison. They hide their relationship from Minnie's mother for some time, but their behavior grows increasingly reckless. As suspicions arise about the two, Monroe pushes Minnie away. Alone, she begins seeking new friends and experiences on the streets of San Francisco where she finds stronger drugs and men and women even more dangerous than Monroe.

The real through-line of Diary of A Teenage Girl is Minnie's increasingly isolation. Her attempts to find more permanent bonds with other people and her increasing sexual confusion lead her into a series of harmful relationships. Her most trustworthy friend is Kimmie, an equally troubled young girl. The rest of her pals, met during brief tenures is various schools and in cafes and showings of The Rocky Horror Picture Show, are meth dealers, pimps, paranoiacs and sadists.

Diary of A Teenage Girl would be harrowing fiction, but unfortunately it is not. Gloeckner's first novel is a reworking of the actual diary she kept for two years. The finished product of the novel is a condensed version of her teen years, altered in places to combine characters and give it a stronger narrative arc. Gloeckner, after editing and rewriting the diary, inserts a series of illustrations and graphic sequences into the book. She's a successful cartoonist whose work has received high praise by the likes of Robert Crumb (who is both an acquaintance of Gloeckner and a character in the novel). Her other published work is a collection of twenty years worth of underground comics, A Child's Life.

The illustrations and cartoon sequences tie in nicely to the prose segment of the novel as young Minnie, like Gloeckner herself, had an early interest (or recreations of them, anyway) which show her as a blossoming artist. Even those first drawings show a great deal of emotion and artistic flair, although most of the highlights in that arena are Gloeckner's beautiful modern-day sketches, portraits of Minnie scrutinizing her body in a mirror or Monroe stalking down the street, illustrations of her family and friends and the denizens of San Francisco's seedier districts.

Thanks to the established interested in art and the illustrations, the sequences that shift from illustrated fiction to graphic literature are seemlessly intertwined and serve as a breather from the often intense prose. For a few moments one is allowed out of Minnie's head and to take a more removed role as observer; this is often a welcome breather.

Several illustrations in A Child's Life show half-transparent figures whose inner anatomy is visible through their skin and clothes. Gloeckner's interest in the medical details of a person are a nice metaphor for the workings of her prose which strip her characters naked down to bare muscle and nerves. The raw power of Gloeckner's work comes from her apparent fearlessness at revealing details that could easily be considered damning or exploitative. Initially these passages come as a shock, but gradually stories of Minnie's relationship with Monroe and her descent into drug abuse come to seem somewhat normal, which is when the real horror sets in.

Which is not to say that Gloeckner's writing is not often beautiful. She often writes precise and compelling lines like, "All the clouds were pulled down from the sky and sucked in through my window. Some clouds melted and I am covered with dew. Wisps of fog entangle the chandelier. Bows and flows of angel hair are thick and smothering." The novel is filled with nicely observed and precise observations, sometimes beautifully rendered fantasy sequences such as her dream of drowning in the canals of Venice. These moments are as elegant and haunting as the more startling material is abrasive and gritty

Answer 41

why?!?!!?

Answer 42

PLEASE DO NOT WATCH IT ;-;

Answer 43

I'm gonna watch it

Answer 44

Fine, i give up

Answer 45

XD Imean I've seen worse soooo NO HELPING SHREK WIZOUSKI *Spelling 100%